PRESS RELEASE

ASPEN MUSIC FESTIVAL ACHIEVES QUALITY AND DETAIL WITH
APHEX ANACONDA DIGITAL SNAKE SYSTEM

SUN VALLEY, CA (September 25, 2009) – Founded in 1949, the Aspen Music Festival and School is a world-renowned classical music festival. Respected internationally for the quality of its nine-week event held each summer, over 100,000 patrons participate in the program’s more than 200 separate events.

Since 2000, the festival’s live sound reinforcement and recordings have made possible by Aphex Systems, who is a sponsor of the festival. This year, for the first time, the Aspen Music Festival made use of Aphex’ Anaconda Digital Snake System, along with the company’s remote-controlled mic preamps and its HeadPod headphone distribution amplifiers.

“I noticed a significant improvement in the quality and clarity of our recordings with the use of the Anaconda System,” says Chris Cecere, the festival’s head engineer. “We do recording and live sound reinforcement of classical music, ranging from solo piano through chamber music through full orchestral works. This year’s grand finale was Verdi’s “Requiem”, which had 300 chorus members and a whole orchestra in a 1,000- seat hall. The Anaconda, along with the Aphex mic preamps, was outstanding.”

Cecere continues, “We were dealing with cable runs that extend from our catwalk to our control room, a good 300 feet away. With the Aphex 1788A mix pre and the Anaconda, the system not only sounded great, but was amazing in its ease of use, with the ability to change every detail from hundreds of feet away.”

The festival's tech team also made use of Aphex' flagship 2-channel preamplifier, the Model 1100 MkII, for high-quality recordings of solo artists and small ensembles. This year, another new addition was the Aphex HeadPod headphone amplifier. “We set up the HeadPod in our control room. You can tell right away that it's a professional product. We'd been using a lower-quality headphone amp, and the difference was immediately noticeable. You're not wanting for gain at all, and there's never any distortion. One of our assistant engineers was compelled to purchase it after the end of the festival.”

The Aspen Music Festival, 2009

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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PRESS RELEASE

APHEX SYSTEMS HELPS GIRLS TO ROCK
AT THE INSTITUTE FOR THE MUSICAL ARTS

SUN VALLEY, CA (October 19, 2009) – Back in 1969, June Millington was a founding member of one of the first all-female rock bands to be signed to a major label, and received international acclaim along with the rest of her band Fanny. By the mid-1980s, she was ready to give back to the music community, and with Ann Hackler founded the non-profit Institute for the Musical Arts (IMA), the world’s first contemporary music school for women and girls. Originally located in Northern California, IMA moved to Northampton, MA in 2001, where it has thrived ever since.

IMA was in need of high-quality audio equipment to use in the school’s classes in vocal and instrument performance, as well as audio production and engineering. As a performer with over four decades of experience, June knew just where to turn: Aphex Systems. “Aphex is not just a company,” she says. “Aphex brings a sound fantasy to fruition. Their products make sound come alive. It goes beyond the technical specs; everything they make is very musical also.”

For both their regular classes and their annual Rock 'n Roll Camp that caters to young ladies from ages pre-teen to early twenties, IMA chose the Aphex Model 454 HeadPod. “The HeadPod is so clean sounding and so easy to use, it’s perfect for our environment,” says June. “We wanted something with a very high level of audio quality, but also something that wouldn’t be intimidating for beginning musicians and recordists that we have in our classes and camps. Also,” she adds, laughing, “the Headpod is cute! It’s a little white box that looks great! We have 14 girls together in a room at the camp, and they’re all about that kind of stuff.”

In addition to the HeadPod, IMA also required some extra channels of audio interfacing to use with their Pro Tools system. The Model 141 8 Channel D to A Converter fit the bill perfectly. Millington reports that the 141 offers everything they could want to maintain a high-quality signal chain between their analog and digital equipment.

IMA is a nonprofit 501(c)3 organization, and can be found on the web at www.ima.org.

The Institute for Musical Arts, 2009

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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PRESS RELEASE

2009 GRAMMYS SOUND GREAT WITH APHEX PREAMPLIFIERS
AND ANACONDA DIGITAL SNAKE SYSTEM

SUN VALLEY, CA (February 9, 2009) – Held at Los Angeles’ Staples Center for the sixth consecutive year, the 51st Annual Grammy Awards show once again turned to Aphex’ remote controlled microphone preamplifiers. This year, in addition to the stacks of Model 1788A preamps that have been used at prior successful Grammy shows, the team responsible for the ceremony’s audio broadcast also chose Aphex’ new cost effective Model 188 remote preamplifiers. Also at the Grammy’s for the first time, was Aphex’ Anaconda 64-Channel digital snake.

“We’re thrilled that the audio production team at the Grammys chose the reliability and superior sound quality of the Aphex signal chain,” says Marvin Caesar, Aphex president.

For the entirety of the Grammy telecast on Sunday February 8, every note and word that was broadcast, sent through the house PA, and recorded, went through 20 of Aphex’ Model 1788A and an additional seven Model 188 remote controlled preamplifiers. Led by audio coordinator Michael Abbott, the audio engineering team included Peter Gray, a co-owner and engineer of PEG Audio Associates, who was in charge of the installation and operation for the recording and broadcast music audio. He was more than pleased with the 188s.

“They sound great, look slick, are easy to set up, and are space and weight efficient. And I really like the dual ADAT outputs for splitting options as well as the ability to do SMUX,” he said.

The Aphex Anaconda system was also employed for the show. Denali Video used the Anaconda for program and router feeds to the floor, as well as back up and emergency returns. Hugh Healy, Denali’s broadcast audio engineer, said that the audio quality going through the Anaconda was pristine, with no glitches. The snake proved so reliable in use at the Grammys that Denali has planned on using the Anaconda again for the upcoming Academy Awards ceremony.

The Aphex Model 188 houses eight high-quality mic preamps in a single 1U rackmountable chassis. Like the company’s popular 1788A, all settings of the Model 188 may be remote controlled via Ethernet or MIDI, using Aphex’ 1788A-RC hardware remote or the 1788SW control software (PC and Mac), or via Pro Tools®. The 188 has one analog output as well as two ADAT Optical outputs, each carrying eight channels of audio. The two outputs may be used for redundant operation, or to combine for higher sampling rates (SMUX). The Anaconda Model 828 is a 64-channel bidirectional snake comprised of two identical units on either end of a high speed fiber run. There are eight ADAT optical inputs and outputs on each unit, as well as an RJ-45 jack for control and metering/status feedback. Each unit has two fiber transceivers and two power supplies with automatic failure switching for redundancy.

1788A
	Model 1788A Remote Controlled 8-Channel Mic Preamp
188
	Model 188 Remote Controlled 8-Channel Mic Preamp
828
	Model 828 Anaconda 64-channel bidirectional digital snake

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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PRESS RELEASE

TONIGHT SHOW BASSIST DERRICK MURDOCK
SAVES HIS HEARING WITH APHEX
MODEL 454 HEADPOD HEADPHONE AMP

SUN VALLEY, CA (February 2, 2009) – “It saved my hearing. It really did.”

That’s what bassist Derrick Murdock had to say about the Aphex Model 454 HeadPod headphone distribution amp. Murdock, who is best known as the house-band bassist for The Tonight Show with Jay Leno, has been using the HeadPod since it was introduced.

“I can turn the volume down, and still hear everything cleanly, with total clarity,” he says, adding that the headphone amplifier he’d used previously to the HeadPod required very high volume to allow him to hear his bass in the mix. “I went and got my hearing checked again at the NAMM Show this year, and I haven’t had any deterioration since my last checkup a year ago. I credit the HeadPod for that.”

A native of Philadelphia, Derrick Lee Murdock is one of the most in-demand bass players in Los Angeles. He has toured and performed with a huge range of artists, including Kevin Eubanks, The Jazz Crusaders, Tom Scott, Jeff Lorber, Hugh Masekela, Gladys Knight, Natalie Cole, Will Smith, Bill Cosby, Dr. Dre, BB King, Chuck Berry, and many others. His playing has also appeared on a number of movie and television soundtracks.

“We were thrilled about Derrick’s experience with the HeadPod. This is exactly why we designed the product,” says Marvin Caesar, Aphex president. “We gave it more headroom, better transient response and the greater ability to drive high impedance headphones compared to any other headphone amp costing less than $1500. The HeadPod allows people to listen longer without experiencing listener fatigue. It’s an audiophile-quality circuit design that offers clarity and excellent reproduction even at lower volume levels.”

The Model 454 HeadPod is a professional 4-output headphone distribution pod with four independent stereo power amplifiers. Working with any headphone type, the HeadPod offers individual volume controls for each of the four headphone outputs, made with durable metal jacks. A master volume control on the HeadPod allows for matching of source levels. It connects to any analog source, with a rear panel selector switch to choose between balanced sources (discrete left and right) and unbalanced sources (e.g., stereo on TRS from a headphone amplifier). The Aphex HeadPod was honored in 2008 with a prestigious TEC Award nomination, and also received a Reviewer’s Pick award from Pro Audio Review magazine.

Housed in a sturdy and attractive all-metal chassis, with an included 12VAC power supply, the Headpod also has an optional mic-stand mounting bracket, the 454BR. The HeadPod™ is available from Aphex dealers with a suggested retail price of $249 USD.

454

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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PRESS RELEASE

NAMM 2009: APHEX INTRODUCES MODEL 188 8-CHANNEL
REMOTE CONTROLLED MICROPHONE PREAMPLIFIER

ANAHEIM, CA (January 15, 2009) – The Winter NAMM Show marks the US debut of Aphex’ new Model 188 8-Channel Remote Controlled Microphone Preamplifier. Containing eight high-quality, remote-controllable mic preamps in a single rack space, the Model 188 represents a streamlined and cost-effective alternative to the company’s flagship remote preamp, the Model 1788A.

“Aphex has become synonymous with high-quality remote controlled mic preamplification with the 1788A,” says Marvin Caesar, Aphex President. “From broadcasting to recording to live sound, the 1788A has become a worldwide standard. With the 188, we’re proud to be able to offer an excellent solution for audio professionals who don’t require some of the more advanced features of the 1788A, but still want the advantages of Aphex-quality preamplification.”

The Aphex Model 188 houses eight high-quality mic preamps in a single 1U rackmountable chassis. Like the company’s popular 1788A, all settings of the Model 188 may be remote controlled via Ethernet or MIDI, using Aphex’ 1788A-RC hardware remote or the 1788SW control software (PC and Mac), or via Pro Tools®. The Model 188 has one analog output as well as two ADAT Optical outputs, each carrying eight channels of audio. The two outputs may be used for redundant operation, or to combine for higher sampling rates (SMUX).

Unlike the 1788A, the Model 188 does not have the extensive onboard metering, nor does it include Aphex’ exclusive MicLim™ technology which limits the signal at the mic input. However, the 188’s 1U rackmount chassis makes it ideal for mobile systems with space limitations, and it consumes less power than the 1788A. The Model 188 also represents an excellent complement to Aphex’ Anaconda digital snake system. Aphex anticipates the Model 188 will be available to its US retailers and international distributors with a projected MSRP of $1495 USD. More information on the Model 188 is available at www.aphex.com.

188

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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PRESS RELEASE

NAMM 2009: APHEX DEMOS MODEL 230
WITH DIRECT DIGITAL CONNECTION
TO MACINTOSH AND PC COMPUTERS

ANAHEIM, CA (January 15, 2009) – Aphex will be offering demonstrations of their popular Model 230 Master Voice Channel as a direct interface to computers that offer an optical digital audio input. This audio input is included as standard with many models of Macintosh and Windows-based computers.

The demonstration shows that with a microphone and a computer, no other equipment except cabling is required for high-quality recording of vocals for music, voiceover recording, Podcasting and more.

“The term ‘Swiss Army Knife’ is used far too often as an analogy for a multipurpose product,” says Marvin Caesar, Aphex President. “But the Model 230, with its tube mic pre, compressor, gate, parametric EQ, Aural Exciter and Big Bottom features, has everything that’s required to sculpt any voice to perfection. Most people don’t realize that other than a mic and their computer, absolutely nothing else is needed for great vocal recording, both for singing and spoken word.”

Aphex’ Model 230 is a high-quality, analog, single-channel preamplifier and voice processor. Its comprehensive features include RPA™ tube preamplification, Easyrider™ compression, Logic Assisted™ gating, split band de-essing, parametric EQ, and Aphex’ Aural Exciter® and Big Bottom® psychacoustic effects, all in a single space, rackmountable package. The Model 230 implements an XLR mic input and +4dBu output, a 1/4” TRS –10dBV output, 1/4” TRS send and receive insert, AES3, S/PDIF and Optical digital outputs up to 96kHz, plus word clock I/O on BNCs.

Another convenient feature on the Model 230 is a simple to implement contact closure to ground Cough switch on a mono 1/4” connector.

Using the Optical digital outputs and a standard optical cable, no further connectivity is required to get professional-quality vocal signals into a computer.

Detailed information on the Model 230 is available at aphex.com.

230

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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PRESS RELEASE

APHEX HEADPOD™ HEADPHONE DISTRIBUTION AMP
HONORED WITH TEC AWARD NOMINATION

ANAHEIM, CA (January 15, 2009) – Aphex’ popular new audiophile-quality headphone distribution amplifier, the Model 454 HeadPod, was honored with a nomination for a prestigious TEC award nomination. The HeadPod was nominated in the “Amplifier Technology” category.

“The HeadPod takes our award-winning technology in analog circuit design in a new direction,” says Marvin Caesar, Aphex President. “You can think of a headphone distribution amp as just a utility tool, but the HeadPod offers the advantage of audiophile-quality, high headroom monitoring with flexible signal routing and Aphex’ famous reliability. We were indeed honored by the nomination of the HeadPod by the TEC committee.”

The Model 454 HeadPod is a professional 4-output headphone distribution pod with four independent stereo power amplifiers. Working with any headphone type, the HeadPod provides high headroom to avoid clipping even at high sound levels. Designed for ultra low distortion and wide frequency response capabilities, the Model 454 also allows for longer listening sessions without listener fatigue. Due to the HeadPod’s audiophile-quality circuit design, source signals are represented with clarity and full frequency range, even at lower volume levels.

Individual volume controls are provided for each of the four headphone outputs, made with durable metal jacks. A master volume control on the HeadPod allows for matching of source levels. It connects to any analog source, with a rear panel selector switch to choose between balanced sources (discrete left and right) and unbalanced sources (e.g., stereo on TRS from a headphone amplifier).

The Model 454 HeadPod is housed in a sturdy and attractive all-metal chassis, and includes a 12VAC power supply. An optional mic-stand mounting bracket, the 454BR, is also available. The HeadPod™ is available from Aphex dealers with a suggested retail price of $249 USD.

454

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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PRESS RELEASE

APHEX ANACONDA™ 64-CHANNEL DIGITAL SNAKE
INSTALLED AT WORLD HARVEST CHURCH
AND POMONA FAIRPLEX

ANAHEIM, CA (January 15, 2009) – Aphex has announced more installations of its Anaconda Model 828 64-Channel Bidirectional Digital Snake System.

Covering more than 543 acres, the Pomona Fairgrounds outside of Los Angeles is the largest convention complex in the world. With buildings that were constructed over the course of decades, the Fairplex faced challenges in grounding between buildings, causing unacceptable amounts of hum and noise with conventional analog audio transport methods. Since the complex of buildings had already installed fiber for video purposes, an available single-mode fiber line connected two Aphex Anacondas and was tested to show virtually no noise at all. The system was permanently installed, and in addition to the Anaconda, the Pomona Fairplex also chose Aphex’ Model 230 Master Voice Processor, Model 142 Analog to ADAT converter and Model 141 ADAT to analog converter. Since the Anaconda’s single-mode fiber capabilities allow for lossless signal transport for up to ten miles in length, it creates a new definition for “remote” control.

Based in Columbus, OH, World Harvest Church seats over 5,200 people in its main auditorium alone, and includes its own television production studio on premises. The church has installed a complete Aphex Anaconda Digital Snake system, along with a multitude of Aphex 1788 Remote Controlled Microphone Preamplifiers. The system, consisting of 12 Model 1788A preamps and several Model 828 Anacondas, Model 824 Anaconda Distribution hubs, and Model 141 ADAT-to Analog Converters, is being used for live sound, recording, and broadcast applications at the megachurch. The installation was handled by systems integrator ROSCOR, based in Mt. Prospect, IL.

The Anaconda Model 828 is comprised of two identical units on either end of a high speed fiber run. There are eight ADAT optical inputs and outputs on each unit. Each unit has an ultra-precision crystal generating internal word clock; selectable external word clock is fed through one BNC with selectable 75Ù or high input impedance; word clock distribution through eight BNCs; and one RJ-45 for control and metering/status feedback of Aphex 1788A’s. Each unit has two fiber transceivers with automatic failure switching for redundancy. The transceivers use industry standard SC or ST connectors for use with low cost, readily available multimode fiber. Two internal power supplies automatically switch if one fails. The units are designed to be mounted in the rear of a rack for ease of connection and space efficiency.

More information on the Anaconda System is available at aphex.com.

828

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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PRESS RELEASE

APHEX SYSTEMS HELPS TO CREATE
A COMPELLING BEIJING SUMMER GAMES

SUN VALLEY, CA (June 25, 2008) – The Beijing Summer Games will be broadcast to the world this summer with excellent audio quality, thanks in part to the 33 Aphex Model 320A Compellors® that have been supplied by Voci Dorate, Aphex’ distributor in China.

“We are thrilled that the world’s greatest sporting stage will make use of our Compellors,” says Marvin Caesar, Aphex President. “While we’ve continued to make improvements to the original Compellor design, such as the implementation of digital interfacing in the Model 320D, no other dynamics processor to date offers its winning combination of simultaneous intelligent compressor action, leveling and peak limiting.”

As has been the case in previous years, many different sites will be hosting various events in this summer’s Beijing games, from scattered locations such as Qinhuangdao, Shanghai, Shenyang, Tianjin, Qingdao, and even the separate jurisdiction of Hong Kong. The Aphex Compellors will be used for consistency of the myriad of broadcast feeds from the 33 different sites that host 302 events in 28 different sports.

The Aphex Compellor is an intelligent, versatile and highly affordable processor that can be used to solve audio level problems and improve audio signals in the broadcast studio, recording studio, duplication house, film dubbing studio and in live sound applications. Patented control circuits include analog computers that continuously analyze the input signal and vary the control characteristics to provide for virtually undetectable operation, regardless of the dynamics of the program.

Extremely easy to use, the Compellor can be operated merely by setting the Drive level to generate the desired amount of processing, the Process Balance control between Leveling and Compression, and the Output level for unity gain. The Compellor is then ready to provide complete dynamic control - smooth, inaudible compression, increased system gain, desired program density and the freedom from constant "gain riding" - fully automatically. Its unique circuit design actually enhances transient qualities, thus making even heavy processing undetectable.

The Compellor technology is available in three different Aphex products: the Model 320A, the Model 320D (with digital inputs and outputs) and the Model 323A which adds the Aphex Aural Exciter for intelligibility and clarity along with compression.

320A   

320D   

323A   

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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PRESS RELEASE

LYNDA.COM GIVES A LESSON IN INTELLIGIBILITY WITH
APHEX SYSTEMS MODEL 230 MASTER VOICE CHANNEL

SUN VALLEY, CA (July 3, 2008) – As an award-winning provider of educational materials, lynda.com is the preeminent resource for online and CD/DVD training tools for creative designers, instructors, students, and hobbyists. The lynda.com titles include such subjects as Photoshop, Flash, Dreamweaver, Illustrator, Office, digital photography, Web design, digital video, and many others.

With a slew of training materials that all offer voice-overs and other audio components, the company had long sought a solution for high audio quality. Scott Carrey, lynda.com’s Manager of Production & Post, discovered the Aphex Model 230 Master Voice Channel at this year’s NAB show. After checking out the 230 at lynda.com’s main studio, he purchased seven more units for lynda.com’s production facilities.

“The Model 230 is noticeably better than anything else I have tried, so much so that I would say that the choice is a no-brainer,” says Scott. “It is easy to use and the settings are universal enough that anyone can come into the vocal booth and get great results. The Aural Exciter and Big Bottom impart a warm, rich quality to every voice. The deesser reduces the sibilance in a way that is completely transparent.”

“We decided to use dynamic headset microphones which require a lot of preamp gain. Other preamps were too noisy but the Model 230 was completely quiet.”

“The people who are doing the tracks are educators, not professional voice-over artists, yet they are simply amazed at how polished they sound.”

The Aphex 230 was also appreciated by lynda.com for maintaining consistency from their multiple instructors. “We have remote locations where people can record their tracks,” he says. “As we must maintain the same quality level for those locations as our studios, the Model 230 will be the standard for each and every location.”

Aphex’ Model 230 is a high-quality, analog, single-channel preamplifier and voice processor. Its comprehensive features include RPA™ tube preamplification, Easyrider™ compression, Logic Assisted™ gating, split band de-essing, parametric EQ, and Aphex’ Aural Exciter® and Big Bottom® psychacoustic effects, all in a single space, rackmountable package. The Model 230 implements an XLR mic input and +4dBu output, a 1/4” TRS –10dBV output, 1/4” TRS send and receive insert, AES3, S/PDIF and Optical digital outputs up to 96kHz, plus word clock I/O on BNCs. Another convenient feature on the Model 230 is a simple to implement contact closure to ground Cough switch on a mono 1/4” connector.

230   

The Model 230 is available from Aphex dealers at a suggested list price of $799 US.

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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PRESS RELEASE

KTVU PRIORITIZES HIGH-QUALITY AUDIO WITH APHEX

OAKLAND, CA  (April 16, 2007) – KTVU, the Bay Area’s FOX television affiliate, has performed a massive overhaul of their on-air broadcast audio systems with the addition of fifteen Aphex Model 2020 MkIII Broadcast Processors and twenty Model 230 Master Voice Channel Processors. KTVU is using the 2020 MkIII processors to match the levels and perform other processing for consistency of the multitude of satellite streams coming into the station, while the Model 230s have been implemented for voice processing of their on-air talent.

“We are ecstatic that KTVU has made such a commitment to high-quality broadcast audio with the installation of the 2020s and 230s,” says Aphex president Marvin Caesar.

Located in Oakland, CA, KTVU (Channel 2) is the San Francisco Bay Area's FOX affiliate. It is the second largest Cox-owned station (with only Cox sister station WSB-TV in Atlanta in front of it). Operating since 1958, KTVU is a regional superstation, seen on cable systems in Northern California, Nevada and Oregon.

The Aphex 2020MkIII is a comprehensive broadcast processing tool that incorporates leveling, multiband compression, limiting, with optional pre-emphasis limiting, low pass filtering, and FM stereo generation. It makes use of 18 exclusive Aphex techniques (patented and patent pending) which increase density beyond any other processor while retaining naturalness and musicality.

Aphex’ Model 230 is a high-quality, analog, single-channel preamplifier and voice processor. Its comprehensive features include RPA™ tube preamplification, Easyrider™ compression, Logic Assisted™ gating, split band de-essing, parametric EQ, and Aphex’ Aural Exciter® and Big Bottom® psychacoustic effects, all in a single space, rackmountable package. The Model 230 implements an XLR mic input and +4dBu output, a 1/4” TRS –10dBV output, 1/4” TRS send and receive insert, AES3, S/PDIF and Optical digital outputs up to 96kHz, plus word clock I/O on BNCs. Another convenient feature on the Model 230 is a simple to implement contact closure to ground Cough switch on a mono 1/4” connector.

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PRESS RELEASE

APHEX MODEL 230 MASTER VOICE CHANNEL
GAINING GROUND AS INDUSTRY STANDARD
FOR VOICE PROCESSING IN PODCASTING

LAS VEGAS, NV  (April 16, 2007) – Aphex Systems’ popular Model 230 is quickly being recognized as the ‘go-to’ processor for voices in Podcast production, according to the company. The recent recipient of “Best Voice Processor for Podcasting” award at the 2006 Podcast and Portable Media Expo in September 2006, the Model 230 has also received accolades from Radio World and Radio magazines. Combining several of Aphex’ proprietary technologies in preamplification, dynamics processing, psychoacoustics and more, the Model 230 is available from Aphex dealers with a suggested retail price of $799.

Scott Bourne, president of Podango Productions and publisher/editor of well-known podcasting blog podcastingtricks.com has recently installed several Model 230s in his San Francisco-based production studios. The 230s will be the primary voice processing solution for the facility’s work in high-definition video and broadcast-quality audio production.

AudioNowcast (online at nowcastnetwork.com) is a popular podcast featuring audio professionals discussing tools and techniques. Mike Rodriguez (mixer, sound editor, and president of Westwave Audio), who produces AudioNowcast, says that when he has five guests on his show, it’s, “… all too apparent who’s not using the 230. I wish I had more than four of them!”

“What a sound!” exclaimed Mark Jensen of Podsqod, a production company that creates demonstrations of broadcasting tools and techniques focused toward podcasting. “After all the other processing equipment I have purchased and tried, it’s unfortunate I didn’t start with Aphex. This truly is the sound I’ve been looking for!”

Aphex’ Model 230 is a high-quality, analog, single-channel preamplifier and voice processor. Its comprehensive features include RPA™ tube preamplification, Easyrider™ compression, Logic Assisted™ gating, split band de-essing, parametric EQ, and Aphex’ Aural Exciter® and Big Bottom® psychacoustic effects, all in a single space, rackmountable package. The Model 230 implements an XLR mic input and +4dBu output, a 1/4” TRS –10dBV output, 1/4” TRS send and receive insert, AES3, S/PDIF and Optical digital outputs up to 96kHz, plus word clock I/O on BNCs. Another convenient feature on the Model 230 is a simple to implement contact closure to ground Cough switch on a mono 1/4” connector.

Aphex emphasizes that proper implementation of the Model 230 into a podcasting rig is via the unit’s digital outputs directly into the digital input of a computer audio interface. Like any preamplifier, the highest performance is achieved if the 230 is not sent into another preamplifier.

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PRESS RELEASE

APHEX SYSTEMS ANNOUNCES THREE NEW AUDIO INTERFACE/CONVERTER TOOLS AT NAB 2007

New Peripherals Available as Standalone Tools or as part of the
Anaconda (Model 828) Digital Snake System

LAS VEGAS, NV  (April 16, 2007) – Aphex has announced three new digital audio conversion/interface products at NAB 2007. The new Model 141, Model 142, and Model 144 are high-quality interface/converter devices that can be implemented into any digital audio environment, and were designed for maximum flexibility for Aphex’ new highly acclaimed Anaconda audio transport system.

“Aphex has a long-standing reputation for providing innovative solutions in working effectively with both analog and digital audio signals,” says Marvin Caesar, Aphex President. “The 141,142 and 144 help the Anaconda System become an even more comprehensive package for people working in today’s recording studios, broadcast facilities, and professional live sound.”

The Aphex Model 141 is an 8-channel ADAT-to-Analog converter. High quality DACs translate the ADAT signal into 8 discrete analog outputs. Each output is individually trimmable by 12dB. Maximum output at 0dBfs is +24dBu.

The Aphex Model 142 is an 8-channel analog-to-ADAT converter. High quality A/Ds convert 8 analog inputs into an ADAT output. Each input is trimmable by 12dB and has a clip LED. +24dBu is calibrated to 0dBfs. External work clock input is through BNC with an internal 75? termination.

The Aphex Model 144 is an AES-to-ADAT and ADAT-to-AES bidirectional interface. It converts 4 stereo pairs of AES or S/PDIF to 8 channels on ADAT, and vice versa.

All three models will be housed in the same half-rack chassis as the Aphex Model 148 AES Distribution Amplifier. Projected retail price on the each of the three units is $449 US MSRP.

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PRESS RELEASE

LOS ANGELES’ KCET-TV PERFORMS FIRST COMMERCIAL APPLICATION OF NEW APHEX ANACONDA DIGITAL AUDIO SNAKE

LOS ANGELES, CA  (April 16, 2007) – KCET, the country’s largest public television station, has adopted the first permanent installation of Aphex’ new Model 828 Anaconda 64-Channel Bidirectional Digital Audio Snake. In March 2007, the station installed one side of the Anaconda in their studio, with the other end in a control room located 400 feet away, connected via the Anaconda’s high-speed fiber line.

The setup at KCET involves all audio sources running into Aphex’ 1788A Remote Controlled Microphone Preamplifier, which is connected to the Anaconda via ADAT lightpipe. In the control room, the second Anaconda is directly connected to a Yamaha mixing console outfitting with ADAT interfaces. At KCET, the Anaconda is slaved to the station’s house clock. In addition to transporting the audio signal, the Anaconda’s fiber line also carries control (transport, gain, etc.) and metering data to the control room.

“The Anaconda is performing flawlessly,” said Gerald Zellinger, KCET chief engineer. “We are using it in a way that would not be possible with any other snake or signal transport tool. Using both pre-recorded tracks and live performers, mixed together with no latency issues over a long length of cable, is really amazing.”

The very first use of the Anaconda at KCET presented a technical challenge. Live musicians in the studio were playing with pre-recorded tracks coming from the control room. Their signals were then mixed in with the tracks and broadcast live.

“No other snake would have even allowed the tracks to get to the performers with low enough latency for them to play in sync,” says Marvin Caesar, Aphex President. “We knew the Anaconda had lived up to its billing when the performers were not only able to play along, but the signal could go back to the control room 400 feet away, be mixed, and have everything remain synchronized.”

Other signal transport devices packetize the audio data, making synchronization difficult. With the Anaconda’s high-speed fiber line, signals can travel up to 2 kilometers with latency under 50µsec.

The Model 828 Anaconda is comprised of two identical units on either end of a high-speed fiber run. There are eight ADAT optical inputs and outputs on each unit. Each unit has an ultra-precision crystal generating internal word clock; selectable external word clock is fed through one BNC with selectable 75 ohms or high input impedance; word clock distribution through eight BNCs; and one RJ-45 for control and metering/status feedback of Aphex 1788A’s. Each unit has two fiber transceivers with automatic failure switching for redundancy. The transceivers use industry standard SC or ST connectors for use with low cost, readily available multimode fiber. Two internal power supplies automatically switch if one fails. The units are designed to be mounted in the rear of a rack for ease of connection and space efficiency.

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PRESS RELEASE

NEW MODEL 454 HEADPOD™ HEADPHONE AMPLIFIER
ANNOUNCED BY APHEX SYSTEMS AT NAB 2007

LAS VEGAS, NV  (April 16, 2007) – Aphex has announced a new audiophile-quality headphone distribution amplifier at NAB 2007. The Model 454 HeadPod™ will be available from Aphex dealers with a suggested retail price of $249 USD.

“The HeadPod takes our award-winning technology in analog circuit design in a new direction,” says Marvin Caesar, Aphex President. “You can think of a headphone distribution amp as just a utility tool, but the HeadPod offers the advantage of audiophile-quality, high headroom monitoring with flexible signal routing and Aphex’ famous reliability.”

The Model 454 HeadPod is a professional 4-output headphone distribution pod with four independent stereo power amplifiers. Working with any headphone type, the HeadPod provides high headroom to avoid clipping even at high sound levels. Designed for ultra low distortion and wide frequency response capabilities, the Model 454 also allows for longer listening sessions without listener fatigue.

Individual volume controls are provided for each of the four headphone outputs, made with durable metal jacks. A master volume control on the HeadPod allows for matching of source levels. It connects to any analog source, with a rear panel selector switch to choose between balanced sources (discrete left and right) and unbalanced sources (e.g., stereo on TRS from a headphone amplifier)

The Model 454 HeadPod is housed in a sturdy and attractive all-metal chassis, and includes a 12VAC power supply.

(The dedicated Model 454 page is HERE)
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PRESS RELEASE

STEVIE WONDER’S “HOUSE FULL OF TOYS”
BENEFIT CONCERT USES NEW APHEX ANACONDA DIGITAL AUDIO SNAKE AND
1788A REMOTE MIC PREAMPLIFIERS

LOS ANGELES, CA  (April 16, 2007) – Now in its eleventh consecutive year, Stevie Wonder’s House Full of Toys charity event has resulted in the donation of toys, computers, games and educational aids to children, families and organizations in need. Benefiting thousands of underprivileged children in the Los Angeles area, this year’s concert was a star-studded event with performances by Stevie himself as well over 20 major stars in various genres of music from gospel to jazz to pop to hip-hop to blues.

Aphex’ audio signal chain performed a major role at this year’s event, with the company’s new Model 828 Anaconda 64-Channel Bidirectional Digital Audio Snake being used along with twelve 1788A 8-Channel Remote Controlled Microphone Preamplifiers. The use of the products was donated by Aphex to help the charitable cause.

Rob Arbittier, a composer and producer who has worked with Wonder for over 20 years as a technical guru, was highly impressed by the combination of the Anaconda and 1788A. “We had 96 channels of audio going for six hours straight, fed directly into Pro Tools, with zero signal loss and zero overs. I can’t tell you how impressive that is. There’s nothing like the Anaconda available from anyone, and with the 1788A, the quality of the live audio is as good as any studio setting. Simply amazing.”

The Aphex Model 828 Anaconda is comprised of two identical units on either end of a high speed fiber run. There are eight ADAT optical inputs and outputs on each unit. Each unit has an ultra-precision crystal generating internal word clock; selectable external word clock is fed through one BNC with selectable 75? or high input impedance; word clock distribution through eight BNCs; and one RJ-45 for control and metering/status feedback of Aphex 1788A’s. Each unit has two fiber transceivers with automatic failure switching for redundancy. The transceivers use industry standard SC or ST connectors for use with low cost, readily available multimode fiber. Two internal power supplies automatically switch if one fails. The units are designed to be mounted in the rear of a rack for ease of connection and space efficiency.

Aphex’ Model 1788A provides eight preamps in 2RU space. It features the company’s proprietary MicLim™ technology, a unique, patented limiter in the front end of the preamp which limits the output level of the microphone by as much as 20dB. This allows engineers to get maximum noise performance, and also allows maximum resolution for an analog to digital converter, all without worrying about crashing the preamp. The Model 1788A has two separately trimmable, buffered analog outputs as well as three optional digital outputs (AES/EBU, TDIF or ADAT) with selectable sampling rates that can be generated from an internal clock or an external source. Aphex’ exclusive and patented drift stabilized A/D converter circuit eliminates DC from the output without incorporating a digital high pass filter. Status indicators for each function for each channel are provided, as well as a twelve segment LED meter (headroom), and two eight segment LEDs (input gain or maximum output level on either of the two analog outputs).

“This year’s ‘House Full of Toys’ show marked an opportunity to make a donation to a very effective charity, as well as providing a terrific testing ground for the Anaconda,” said Marvin Caesar, Aphex President. “We’re proud that both the Anaconda and the 1788A’s performed flawlessly throughout the show.”

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PRESS RELEASE

LOS ANGELES, CA  (February 12, 2007) - Held on Sunday February 11, the 49th Annual GRAMMY® Awards delivered flawless audio performances with the help of the Effanel/XM team and 228 channels of Aphex 1788A Remote Controlled Mic Preamps. With 96 channels each used for the recording and broadcast feeds, music's most prestigious event marked the second largest installation of Aphex 1788A's.

"We couldn't be happier about the performance of the Aphex 1788A," says Joel Singer, head of technical operations for Effanel/XM. "They sound amazing, first and foremost. When we installed them into the L7 truck, we tested other remote preamps, but none allowed for input gain adjustment on the fly without popping and clicking. Along with the seamless interaction with our Pro Tools systems, the 1788A is the only preamp we would turn to for something as important as the GRAMMYS®."

While most of the Aphex 1788A preamps used at the GRAMMYS® were those installed in Effanel/XM's L7 remote truck, another 32 channels (to handle orchestral string overflows) were rented from Audio Specialties in Burbank. They claim that the preamplifier's MicLim® feature makes it perfect for unpredictable events such as live awards shows and reality television production.

"The 1788A is simply the world standard in remote preamplification," says Marvin Caesar, Aphex President. "Just in the past few months, the 1788A has been the preamp of choice for the GRAMMYS®, Super Bowl XLI, Barbra Streisand's tour and live album, and much more. We're thrilled that every note the world heard from this year's GRAMMYS® came through the converters of the 1788A."

The world's largest installation of Aphex 1788 preamplifiers is Canada's House of Commons in Ottawa, ON, where 50 units (400 channels) are used to facilitate communications between the country's more than 300 Members of Parliament.

Aphex' Model 1788A provides eight preamps in 2RU space. All of its settings are remotely controllable via Ethernet or MIDI, using Aphex' 1788RC hardware remote or on PC or Mac using the company's 1788SW control software. The 1788A features Aphex' proprietary MicLim™ technology, a unique, patented limiter in the front end of the preamp which limits the output of the microphone by as much as 20dB. It has two separately trimmable, buffered analog outputs as well as optional digital outputs (AES/EBU, TDIF and ADAT) with selectable sampling rates up to 96kHz. LeNA™, the 1788A's digitally controlled Low Noise Amplifier, allows its input gain to be adjusted in 0.125dB steps and 1dB stops without noise or glitches. Aphex' exclusive and patented drift stabilized A/D converter circuit eliminates DC from the output without incorporating a digital high pass filter. Status indicators for each function for each channel are provided, as well as a twelve segment LED meter (headroom), and two eight segment LEDs (input gain or maximum output level).

# # #

PRESS RELEASE

APHEX SYSTEMS INTRODUCES MODEL 828 ANACONDA
64-CHANNEL BIDIRECTIONAL SNAKE AT 2006 AES CONVENTION

SAN FRANCISCO, CA  (October 6, 2006) - At the 2006 AES Show, Aphex Systems (Booth 813) has debuted the Model 828 Anaconda, a point-to-point 64 channel bi-directional snake designed to easily and cost effectively connect the Aphex 1788A remote controlled preamplifier system to industry standard consoles, DAWs and recorders. Aphex has set up a tiered pricing program for the Anaconda, allowing purchasers of the 1788A to add the Anaconda starting at $3995 for both ends and going as low as $1995 per pair depending on the number of 1788A's purchased. Aphex plans on the Anaconda being available from authorized Aphex retailers at the end of 2006.

"We feel that the Anaconda represents a revolutionary method of signal transport, at a price point that's remarkably lower than other digital snake devices," says Marvin Caesar, Aphex President. "However, the low price belies the fact that the Anaconda is perhaps the most advanced product in this category, with fully redundant fiber transceivers and power supplies. We've been working closely with industry professionals in the development of the Anaconda, and their reaction to the product is nothing short of outstanding."

The Anaconda Model 828 is comprised of two identical units on either end of a high speed fiber run. There are eight ADAT optical inputs and outputs on each unit. Each unit has an ultra-precision crystal generating internal word clock; selectable external word clock is fed through one BNC with selectable 75 W or high input impedance; word clock distribution through eight BNCs; and one RJ-45 for control and metering/status feedback of Aphex 1788A's. Each unit has two fiber transceivers with automatic failure switching for redundancy. The transceivers use industry standard SC connectors for use with low cost, readily available multimode fiber. Two internal power supplies automatically switch if one fails. The units are designed to be mounted in the rear of a rack for ease of connection and space efficiency.

Anaconda Features:
8 ADAT inputs and outputs (64 channel bi-directional)
8 Word Clock outputs on BNC
Internal ultra-precision crystal generated word clock
External word clock reference input
Redundant transceivers for two separate fiber runs
Low latency
Easily interfaced with Aphex 1788A remote controlled preamps and digital consoles, DAWs and recorders
Industry standard SC connectors and multimode fiber
RJ-45 connectors for Ethernet control and metering of Aphex 1788A
Redundant switch mode power supplies work from 85 to 264VAC

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PRESS RELEASE

APHEX SYSTEMS MODEL 230 MASTER VOICE CHANNEL
NAMED "BEST VOICE PROCESSOR FOR PODCASTING" AT PODCAST AND PORTABLE MEDIA EXPO

SAN FRANCISCO, CA  (October 6, 2006) - Aphex Systems' popular Model 230 was the recipient of the "Best Voice Processor for Podcasting" award at the 2006 Podcast and Portable Media Expo held September 28-30, 2006 in Pomona, CA. The Model 230 had been the past recipient of awards from Radio World and Radio magazines. Combining several of the company's proprietary technologies in preamplification, dynamics processing, psychoacoustics and more, the Model 230 is now shipping to Aphex dealers with a suggested retail price of $799.

"We're proud of the recognition the 230 has received for the quickly growing art of Podcasting," says Marvin Caesar, Aphex President. "The 230 provides solutions that no other processing channel can offer. From singers to broadcast or voiceover talent, the 230 allows voice artists to work more easily and naturally, achieving a vocal quality that's more present, open and controlled. In music recording studios and live sound rigs, the Model 230 offers singers a huge variety of ways to bring out the best in their vocal characteristics."

Aphex' Model 230 is a high-quality, analog, single-channel preamplifier and voice processor. Its comprehensive features include RPA™ tube preamplification, Easyrider™ compression, Logic Assisted™ gating, split band de-essing, parametric EQ, and Aphex' Aural Exciter® and Big Bottom® psychacoustic effects, all in a single space, rackmountable package. The Model 230 implements an XLR mic input and +4dBu output, a 1/4" TRS -10dBV output, 1/4" TRS send and receive insert, AES3, S/PDIF and Optical digital outputs up to 96kHz, plus word clock I/O on BNCs. Another convenient feature on the Model 230 is a simple to implement contact closure to ground Cough switch on a mono 1/4" connector.

Applications for the Model 230 include live sound reinforcement, installed sound, music recording, broadcast/Podcast, ADR, and more. More information on the Model 230 Is available on the Aphex web site here: http://www.aphex.com/230.htm

About Aphex Systems
Founded in 1975, Aphex Systems is the leading developer and innovator of signal-processing, dynamics control, microphone preamplifiers and analog-to-digital conversion systems. Aphex products are designed for a wide cross section of professional end users around the world. For more information call 818/767-2929 or visit www.aphex.com.

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Aphex: The Hit of NAB 2006!

Ah, Las Vegas. It may be known as Lost Wages and Sin City, but Aphex was so busy being the toast of the town at this year's NAB Show, we may as well have been in Boise (no offense, Idahoians). So, breaking the rule that "what happens in Vegas stays in Vegas", here's the crucial news and views from the world's largest media show!

NAB 06 Press Release HERE 41 k

1788A Preamp is Now Controllable via Pro Tools® and Mac!

That's right… the 1788A now has four different methods of remote control:

1)  The 1788RC hardware remote controller.

2)  Software control (1788SW, included with the 1788A), now running flawlessly on both PC and Mac! Connects to the 1788A via Ethernet.

3)  Any device that generates MIDI, such as a MIDI controller, mixer, sequencer, or show control system.

4)  NEW!  Digidesign's Pro Tools and its tactile control surfaces (ICON's D-Command, and D-Control) are able to provide direct control of the 1788A, making it the perfect replacement for less advanced preamps and converters in broadcast, live audio and recording studio applications.

1788A Preamp Press Release HERE 57 k

The Model 230 Master Voice Channel Keeps Gaining Acceptance

We were thrilled to have another great show with more and more professionals discovering the power of the Model 230. Here are a few random remarks directly quoted from NAB booth visitors:

- "I've never heard my voice sound this full and powerful, and I'm not straining at all."
- "Whoa! You gotta be kidding me!"
- "I can't believe all this processing is in a single rack space."
- "Can I buy this today?"

The answer to that last question, by the way, is yes! Model 230's are now available from all authorized Aphex dealers. If you have any trouble finding one at your local retailer, contact us and we'll point you in the right direction.

Live From Las Vegas… It's Aphex!

Some companies are scared to actually allow visitors to their trade show booth to try out their products! As silly as it seems, you can sort of understand why: a trade show floor, in a busy convention center, is probably one of the worst environments in which one can try out high-end audio gear. But Aphex products are designed specifically to work wonders in imperfect conditions, so our NAB fans were able to use mics and instruments to test out tools like the Model 230, the 1788A, Aphex' exciter pedals, the 2020mkIII broadcast processor, and the recently-introduced Model 240 Dual Logic Gated Compressor.

"We're glad to have the opportunity to show visitors how good our processing is on the toughest source - the human voice - even in an environment like a busy convention center floor," says Marvin Caesar, Aphex President. "Aphex products were designed to stand up even under less-than-ideal environments, and anyone at NAB who wanted to test an Aphex processor under adverse conditions was welcome to come by the booth and do so!"

All in all, it was another terrific show for Aphex, and we look forward to seeing you at the next one!