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See the Pro Audio Review
reviewed by Rob Tavaglione
HERE
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| See
the HeadPod in action HERE ! |
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Professional Monitoring for ALL headphone types |
Individual volume controls |
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High headroom (no clipping at high headphone levels |
Durable metal jacks |
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Ultra low distortion & wide frequency response |
Master volume to match source level |
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Ultra low crosstalk |
Works from any analog source |
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Listen longer with less fatigue |
Overcomes limitations of typical headphone outputs |
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Four independent stereo power amplifiers |
Small size travels easily |
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Computer-based recording, composing, and editing |
Film / Video location sound recording |
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Broadcast studios, fixed and remote |
Post production sound |
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Live FOH, stage monitor and recording mixers |
Industrial Sound |
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Voiceover / ADR Studio |
Boosting weak headphone outputs |
| SPECIFICATIONS - Aphex Model
454 HeadPod™ |
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| AUDIO |
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Input Z |
Bal: 20k ohms; Unbal: 10k ohms |
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Output Z |
10 Ohms |
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Maximum Input Level |
Bal & Unbal: +24dBu |
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Frequency Response |
10Hz - 120kHz ±1dB |
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SNR (typical) |
100dB |
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Crosstalk, dB |
-80 @ 1kHz; -70 @ 10kHz |
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Maximum Gain |
35 dB |
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THD+N, 1kHz |
< 0.001%, 100mw into 25 ohms |
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SMPTE IMD |
< 0.001%, 100mw into
25 ohms |
| OTHER
SPECIFICATIONS |
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Power requirements |
External power, 12-16VAC, 850 mA;
5.5mm x 2.1mm Power Jack |
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Dimensions |
5.5"W x 1.9"H x 4.25"
D (138mm x 48mm x 114mm) |
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Net Weight |
1 lbs (0.45 kg) |
| OUTPUT
POWER vs LOAD IMPEDANCE CHART per channel |
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| THE HEADPOD IN ACTION
WITH THE ACCESSORY BRACKET SHOWN HERE AT THE CHAMPIONSHIP GAMING SERIES, SONY STUDIOS,
CULVER CITY |
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| Also available is the Model #454
Mic Stand Bracket, shown above ! |
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5/1/10
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